True Colors

Color in Photography from 1849 to 1955

From 24 January 2025

Hans Madensky | Fashion portrait – student from the Vienna-Hetzendorf fashion school, 1952 | The ALBERTINA Museum, Vienna – Permanent Loan by Höhere Graphische Bundes-Lehr- und Versuchsanstalt © Photo: The ALBERTINA Museum, Vienna
Hans Madensky | Fashion portrait – student from the Vienna-Hetzendorf fashion school, 1952 | The ALBERTINA Museum, Vienna – Permanent Loan by Höhere Graphische Bundes-Lehr- und Versuchsanstalt © Photo: The ALBERTINA Museum, Vienna

ALBERTINA MODERN, VIENNA

How did color enter photography? This presentation affords insights into the development of photography in color with outstanding works from the ALBERTINA’s own holdings. It draws an impressive arc from the 19th century’s initial experimental techniques to the viable analog color photography that emerged during the 1950s. Color photography was revolutionized by milestones such as the development of the interference process in 1891 and the Lumière brothers’ early 20th century autochromes, with various simultaneously employed photochemical and three-color processes exemplifying the broad array of approaches to producing color images. True Colors thematizes contexts in which historical color photography was employed, and the effects of popular color photographic processes on the culture of images during the 20th century’s first half.

The exhibition is on view at the ALBERTINA MODERN Museum from 24 January 2025 to 21 April 2025.

Richard Neuhauss | Parrot, 1899 | The ALBERTINA Museum, Vienna – Permanent Loan by Höhere Graphische Bundes-Lehr- und Versuchsanstalt © Photo: The ALBERTINA Museum, Vienna
Richard Neuhauss | Parrot, 1899 | The ALBERTINA Museum, Vienna – Permanent Loan by Höhere Graphische Bundes-Lehr- und Versuchsanstalt © Photo: The ALBERTINA Museum, Vienna
Hans Madensky: ashion portrait – student from the ViennaHetzendorf fashion school, 1952

Hans Madensky | ashion portrait – student from the ViennaHetzendorf fashion school, 1952 | The ALBERTINA Museum, Vienna – Permanent Loan by Höhere Graphische Bundes-Lehr- und Versuchsanstalt | © Photo: The ALBERTINA Museum, Vienna

Adolphe Braun: Sample board of various pigment papers from Braun & Co, around 1910

Adolphe Braun | Sample board of various pigment papers from Braun & Co, around 1910 | The ALBERTINA Museum, Vienna – Permanent loan by Höhere Graphische Bundes- Lehr- und Versuchsanstalt | © Photo: The ALBERTINA Museum, Vienna

Anonymous: Laboratory still life, around 1906

Anonymous | Laboratory still life, around 1906 | The ALBERTINA Museum, Vienna – Permanent Loan by Höhere Graphische Bundes-Lehr- und Versuchsanstalt | © Photo: The ALBERTINA Museum, Vienna

Auguste and Louis Lumière: Bracelets, 1893-1900

Auguste and Louis Lumière | Bracelets, 1893-1900 | The ALBERTINA Museum, Vienna – Permanent loan by Höhere Graphische Bundes-Lehr- und Versuchsanstalt

Heinrich Kühn: The Parasol, 1912

Heinrich Kühn | The Parasol, 1912 | The ALBERTINA Museum, Vienna | Photo: The ALBERTINA Museum, Vienna

Philippe Pottier: Evening gown by Madame Grès, 1950/1954

Philippe Pottier | Evening gown by Madame Grès, 1950/1954 | The ALBERTINA Museum, Vienna – Permanent Loan by Höhere Graphische Bundes-Lehr- und Versuchsanstalt | © Photo: The ALBERTINA Museum, Vienna

Richard Neuhauss: Parrot, 1899

Richard Neuhauss | Parrot, 1899 | The ALBERTINA Museum, Vienna – Permanent Loan by Höhere Graphische Bundes-Lehr- und Versuchsanstalt | © Photo: The ALBERTINA Museum, Vienna

Wilhelm Horn: Portrait of a young officer, 1849

Wilhelm Horn | Portrait of a young officer, 1849 | The ALBERTINA Museum, Vienna – Permanent loan by Höhere Graphische Bundes- Lehr- und Versuchsanstalt | © Photo: The ALBERTINA Museum, Vienna

Arthur von Hübl: Exotic butterflies, 1908-1914

Arthur von Hübl | Exotic butterflies, 1908-1914 | The ALBERTINA Museum, Vienna – Permanent Loan by Höhere Bundes-Lehr- und Versuchsanstalt | © Photo: The ALBERTINA Museum, Vienna

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